The Cost of Recording

I'm a musician...sort've. I don't make any money off of it, but I play in a band and I launched a solo project about a month ago. I have a website with a blog and all that jazz and I would normally post this kind of music-related biznazz there. The thing is, this little rant is going to be about someone local, someone known, and I don't want to burn any bridges before I've built them, you know what I mean? So I'm just gonna go ahead and separate this out so I can get it off my chest but still maintain relations in case I need them again in the future. In the short term I have no intention of working with him again, but you never know what's going to happen.

When I decided to launch this new music project I had this great idea. I was going to release a single month. It would be a good way to keep people engaged, prevent them from burning out on the same old tune and losing interest. I happened to have a bunch of professionally recorded tracks that I'd done a couple of years ago. Wifey got me some studio time with a friend of ours who has a studio in town, and I went in with my guitar and laid down rhythm and vocals, had the dude from my band come in and play bass, and then had some local college kid do drums. I recorded like 6 or 7 songs during this time. They were essentially done and all I needed was some lead guitar work. I had asked a friend of mine to do it and he agreed, but he kept putting me off and finally the whole project just languished. When I re-committed myself to a solo project I thought, Cool, I have a bunch of pro tracks to start off with. I'll just play the leads myself. I planned to do a combination of releasing the professionally recorded ones and home-recorded demos of new songs.

There was a small snag in my plan though. Upon re-listening to the previously recorded tracks, it became clear that the dude with whom I'd initially recorded either had a tin ear (which I feel like he didn't because his other shit sounds pretty good), or just didn't really give a damn. The guitar was so badly out of tune it made me wince to go back and listen. I remember recording an EP with my band, using this guy (let's call him Scarf, because he wore a scarf one time) who has a studio in the same building as our practice space and having him flat out replace my guitar with one of his own to play because it didn't sound very good. That's a producer, and it makes sense. It's what I'd expect. I'm going to release these recordings and tell everyone that you recorded and produced them. It's in your best interest to make them sound good. For whatever reason that didn't happen with my initial recordings. I never told the dude either because I have no backbone. At any rate, I now found myself in a position of having to re-record all of the guitar, and some of the vocals too.

I decided to work with Scarf. He was a known, I liked the work he did on our EP, and he was conveniently located. No-brainer. I sent him the tracks I had and said, "Tell me what I need to do to make these sound good." His assessment? That much of it was unusable. He didn't think the drums were mic'd very well and therefore they lacked good levels, and he agreed that my guitar was out of tune. He said it would cost me more money to have him try and massage all of that into something listenable (and it still wouldn't be great) than it would be for us to start over. He would use what he could, but in the interest of quality replace whatever didn't rate.