The Cost of Recording

I'm a musician...sort've. I don't make any money off of it, but I play in a band and I launched a solo project about a month ago. I have a website with a blog and all that jazz and I would normally post this kind of music-related biznazz there. The thing is, this little rant is going to be about someone local, someone known, and I don't want to burn any bridges before I've built them, you know what I mean? So I'm just gonna go ahead and separate this out so I can get it off my chest but still maintain relations in case I need them again in the future. In the short term I have no intention of working with him again, but you never know what's going to happen.

When I decided to launch this new music project I had this great idea. I was going to release a single month. It would be a good way to keep people engaged, prevent them from burning out on the same old tune and losing interest. I happened to have a bunch of professionally recorded tracks that I'd done a couple of years ago. Wifey got me some studio time with a friend of ours who has a studio in town, and I went in with my guitar and laid down rhythm and vocals, had the dude from my band come in and play bass, and then had some local college kid do drums. I recorded like 6 or 7 songs during this time. They were essentially done and all I needed was some lead guitar work. I had asked a friend of mine to do it and he agreed, but he kept putting me off and finally the whole project just languished. When I re-committed myself to a solo project I thought, Cool, I have a bunch of pro tracks to start off with. I'll just play the leads myself. I planned to do a combination of releasing the professionally recorded ones and home-recorded demos of new songs.

There was a small snag in my plan though. Upon re-listening to the previously recorded tracks, it became clear that the dude with whom I'd initially recorded either had a tin ear (which I feel like he didn't because his other shit sounds pretty good), or just didn't really give a damn. The guitar was so badly out of tune it made me wince to go back and listen. I remember recording an EP with my band, using this guy (let's call him Scarf, because he wore a scarf one time) who has a studio in the same building as our practice space and having him flat out replace my guitar with one of his own to play because it didn't sound very good. That's a producer, and it makes sense. It's what I'd expect. I'm going to release these recordings and tell everyone that you recorded and produced them. It's in your best interest to make them sound good. For whatever reason that didn't happen with my initial recordings. I never told the dude either because I have no backbone. At any rate, I now found myself in a position of having to re-record all of the guitar, and some of the vocals too.

I decided to work with Scarf. He was a known, I liked the work he did on our EP, and he was conveniently located. No-brainer. I sent him the tracks I had and said, "Tell me what I need to do to make these sound good." His assessment? That much of it was unusable. He didn't think the drums were mic'd very well and therefore they lacked good levels, and he agreed that my guitar was out of tune. He said it would cost me more money to have him try and massage all of that into something listenable (and it still wouldn't be great) than it would be for us to start over. He would use what he could, but in the interest of quality replace whatever didn't rate.

Camp Belvidere: My Half-Assed Review

In my last post I mentioned a movie I'd seen recently called Camp Belvidere, and I threatened to talk about it. So, I'm gonna talk about it. It's a 38-minute short only available for rental via Vimeo. I find that incredibly disappointing because a) the movie's been out since April I think, and b) I could go broke renting it. I liked it that much.

I don't typically go in with high expectations when it comes to shorts. It's a challenging way to make a movie. You have a limited window in which to tell your story, and that often results in movies that are purposefully vague (re: "artsy") to avoid having to adhere to standard storytelling tactics which might not work well; movies with a lot of short scenes and quick camera changes, resulting in a frenetic feeling; or movies that just don't get to tell the whole story and leave the audience feeling disconnected and lost. Camp Belvidere rather masterfully avoids all of those pitfalls and leaves me feeling like I just watched a complete movie. A short one, but complete.

Ahem...there may be spoilers from here on out because I can't censor myself. You've been warned. I'll even make a little jump link for you.

Lesbian-related Media Thought of the Day: Soap Operas

I've just completed a binge re-watching of All My Children's Bianca/Marissa storyline. It's been a little light in new lesbian media these days (although I did just watch in interesting little short called Camp Belvidere; more on that in another post maybe) and when that happens I tend to go back to my old standbys for my girl-on-girl fix. Re-watching AMC is one of those standbys. As always, watching those clips made me start thinking about how odd the state of lesbian affairs is in the daytime soap world, so I thought this time I'd write it down and maybe not have to think about it the next time. Doubtful, but hey, no harm.

I don't know how many lesbians there've been in the history of US soaps. I'm not an avid soap watcher, although when I was a teen I tuned in to Days of Our Lives, Guiding Light, As the World Turns, and Another World whenever I had a chance. I of course didn't realize that tuning in to Another World simply because I was enthralled with Anne Heche, or that I really, really liked As the World Turns's Shannon O'Hara played by Margaret Reed might mean something...else. Like, it wasn't because of the stellar acting.

I became reacquainted with soaps by watching clips of Maggie and Bianca on AMC. I had heard about Lena Kundera but honestly, she wasn't all that attractive to me so I didn't really fancy going back to see any of that. It's kind've the way I pretend Callie and Erica didn't happen on Grey's Anatomy. I enjoyed the BAM storyline even though it just didn't make sense a good deal of the time, and it seemed that the writers were doing everything they could to keep them from having to actually do anything about the attraction between the two characters. It was so weird because they had already established this lesbian character in Bianca Montgomery, and that was such a big deal, and they'd given her a relationship already (two actually because there was Frankie I guess), but for some reason they were really balking about fully committing to Maggie and Bianca. Who the hell knows why? They kissed a total of I think 3 times during the series, and for all but the last time it wasn't mutual. You have the Maggie snogged Bianca while Bianca was with someone else kiss: http://youtu.be/Ery5wWUTgX4. I'd embed it but the user disabled that functionality. It's at the 3:40 mark.

The next time is the other way around. Maggie's in an abusive relationship with some dude and Bianca kisses her: http://youtu.be/ZYO-DcQcFc0. Same deal with the video, but this person seems to be the only one with any BAM vids on YouTube.

And the last kiss: http://youtu.be/LTmJLs4tgYk. It was still a sort've non-mutual kiss; it was a break-up kiss. They actually talked to each other and said out loud that they were lovers...right before Elizabeth Hendrickson left the show. I guess better late than never.